Tuesday, May 30, 2017

"Bitter Gertrude" demonstrates the authoritarianism of Social Justice Warriors

Bitter Gertrude, aka Melissa Hillman, who used to be artistic director for the now-defunct Impact Theatre and is currently teaching high school students, is left of center, and so we agree on much in the socio-political sphere, and I've occasionally commented here when I've agreed with her.

But Hillman, like so many others in American theater is a Social Justice Warrior and therefore an irrational extremist when it comes to race.

When I heard about the Albee casting kerfuffle I knew Hillman would be right there with the extremists and sure enough, she was. So much so that her commentary on the issue is a perfect illustration of the Social Justice Warrior strategy used against those who disagree with them.

Hillman writes:
Racism isn’t the argument here. The estate’s decision was absolutely racist, period, the end. That’s not up for debate. It’s the kind of racism that demeans the entire industry and requires resistance.
There it is, two of the three stages of the standard SJW strategy:
1. Accuse those who disagree with you about any issue touching on race of racism
2. Shut down the conversation.
3. When the target complains that the conversation has been shut down, accuse the target of "white fragility."
Robin DiAngelo, as I've written about many times before on this blog, is the leading purveyor of the "white fragility" stage of the strategy.

Michelle Johnson an African American playwright, (who also happens to be my Facebook friend although we've never met in person) does not agree that Edward Albee's estate is racist.
On the Albee controversy, I was in the minority. As a playwright, and in general, I’m just not a fan of the “colorblind” concept. As with one-size-fits-all leggings, I believe it’s a fiction designed to make some people feel better about uncomfortable realities. Also, I don’t believe the writer’s intent is a secondary issue.
“Virginia Woolf” was written in 1962 — two years before the end of legalized discrimination. Projecting modern-day sensibilities on that doesn’t change it. Talking about the large number of amazing black actors today and how many black “Nicks” should have and could have been in existence in 1962 is beside the point.
The point is, that’s not the play Albee wrote. And to accuse him or his estate of racism in wanting his play about the 1960s culture of white academia to remain as he wrote it seems as ridiculous to me as letting a white woman be cast as lead in Lorraine Hansberry’s “A Raisin in the Sun,” a play about a black family discouraged from buying a house in a segregated neighborhood in 1959 Chicago.
So there you have it. An African American playwright doesn't think Albee's estate is racist, but Melissa Hillman is here to declare that the issue has already been decided, end of discussion, so STFU Michelle Johnson.

Social Justice Warriors like Hillman care much more about power and control than they do about actual social justice. Their idea of social "justice" is to willy-nilly accuse random white people of racism, based on faulty reasoning and even lies. I was a SJW target in 2011 and I've been watching them and their tactics in horror ever since. If SJWs ever get any serious political power they will use it to hunt witches and exact revenge on anybody who dares to disagree with them.

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